The Cult in my Grandmother's House - стр. 7

I tell the story from two points of view: that of a child growing up in a cult and that of an adult who has experience of both parenting and emigration. I remember what I faced and how I felt as a child, and I share my present thoughts about the past. I track the evolution of my attitudes and thoughts to show how easy it is when you are young to fall into a trap, and how difficult, and sometimes impossible, even over the years, to get out of it.

Everyone will see something of their own in this story. I am a philosopher by education; I like thinking, reasoning and looking at things from different angles. Write to me and let me know what you think about all this!

1. Before the cult

NOTHING IS SHOCKING IN CHILDHOOD

Everything that happens in childhood seems normal. Children have no choice: adults decide everything for you and you can only go with the flow, trying to adapt and survive. As the years pass and you grow up, your memory returns time and again to episodes from childhood, and questions start welling up inside…

What was the point of that? Why would they do that?

When you compare your own experience of being a parent with that of your own parents, you start to wonder:

Would I have acted like that with my own child? What about with someone else’s?

You come to see more and more that there is no difference between your own child and others, especially when you grew up with other children yourself, without your family —although you knew you had one.

A PRISON FOR ACADEMICS

I was born in Dushanbe and spent my early years there, until my parents left to live and work in Leningrad. My memories of my birth town are childishly picturesque, symbols of home: my grandma, warm air, aroma of fruit, flies in the kitchen, traditional pechak sweets, the “Green” bazar, cool linoleum on the floor, vinyl records, the smell of books, our loggia with its huge mirror, babbling irrigation channels right in the street, the asphalt melting, our hip bath, whole alleyways of roses, weeping willows, vines hanging over your head, tea with mulberry, fragrant flatbreads with sesame, cherry orchards, sandstorms, and of course, the opera! Grandma often took me to the opera, which was considered the heart of the town (at least that’s how I remember it).

Tajik State Academic Opera and Ballet Theatre named after Sadriddin Aini. Founded in Dushanbe in 1936.

The Russian-speaking circle in Tajikistan at that time was mainly members of the intelligentsia, forcibly exiled from the major Russian cities. This included my relatives. My grandfather was the son of an enemy of the Soviet state, who was shot during Stalin’s reign of terror, and the whole family was now living under this stigma. My mother’s side of the family weren’t allowed to live in Leningrad, where they were actually from. For a while the family lived just outside the forbidden 100-kilometre radius which stretched around the desirable cities, but after that we were packed off to the most remote Central Asian republic to “colonise the virgin lands”. My grandparents, as academics and professors, were sent to found and build a local university in Dushanbe. For this they received a meagre salary and an adobe shack with no amenities, right in the university’s internal courtyard. My mother and uncle grew up there. Nobody complained (it just wasn’t done in the Soviet Union), and to this day my mum is convinced that the family chose to live in Dushanbe of their own free will. Back then everyone was obliged to be happy and grateful to the Communist Party, whatever happened.