Русское воскрешение Мэрилин Монро. На 2 языках - стр. 37

I saw many familiar faces there and solemnly nodded them. Those were twenty or so men and women I saw in the corridors of the party headquarters, all of them colleagues of the deceased. Although, there was nobody who looked like his relative, or fan, or lover. That seemed quite unnatural to me. After all, this Sergey was a poet, and not just another unhappy poet, but someone bearing striking likeness to the great, long dead Russian genius. One person there attracted my attention, because he wore a red turban on his head. Apparently, he was the Indian Consulate official, to testify the transition of his compatriot to another world. At last, the doors were slowly opened, and the solemn crowd was let inside the ritual hall.

Поэт лежал в открытом гробу, одетый в черный костюм, с белой полоской ткани, с крестом, на лбу. Букеты цветов укладывали внизу, вокруг, и вскоре за ними уже не было видно полированных досок гроба. За его изголовьем, на отдельном высоком постаменте стоял его портрет. Черно-белый и сильно увеличенный. Только позже я пригляделся к нему. «Боже мой!» – я остолбенел: это был не портрет этого бедного безвестного Сережи, а портрет самого Сергея Есенина. Самая известная его фотография, с пробором посередине красивых волос. Пораженный до глубины души, я оглянулся на всех, пришедших проводить его. Они что, не замечали того же! Что это все такое! Но все его сослуживцы так же чинно, траурно стояли вокруг, поглядывая на бледное лицо в гробу, на портрет, на цветы…

Poet lay in casket dressed in a black suit, with a white strip of cloth and a small wooden cross on his forehead. The wreaths and bouquets of flowers were heaped around, and still more was being laid, covering up the polished wood of the coffin.

Just behind the head of deceased his portrait was placed on adjoining pedestal. It was black and white, and extraordinarily enlarged. When I looked at it closer I was just dumbfounded. “My God,” I thought in amazement. “What a bad-taste spectacle!” Because it wasn’t a portrait of the unfortunate poet Sergey from India, but it was the portrait of great Sergey Yesenin himself, his widely known photograph that was made a hundred years ago, with his blond hair parted in the middle. In a deep amazement and shocked to the core, I looked around at the mourners: “Why don’t they notice it, they look like educated people!” All of them now silently and mournfully stood around the coffin, looking at the pale face there, at the portrait, and apparently awaiting for some speeches.