Оранжевая собака из воздушных шаров. Дутые сенсации и подлинные шедевры: что и как на рынке современного искусства

Джеффри Дейч, цит. по: Calvin Tomkins, «A Fool For Art: Jeffrey Deitch and the Exuberance of the Art Market», The New Yorker, November 12, 2007, http://www.newyorker.com/magazine/2007/11/12/a-fool-for-art.

Anny Shaw, «Adrian Ghenie painting sells for record Åí6.2m at Christie’s», The Art Newspaper, October 7, 2016, http://theartnewspaper.com/news/back-to-business-as-usual-at-christie-s-in-london/.

Роландо Хименес, цит. по: Edward Helmore, «Buy! Sell! Liquidate! How ArtRank Is Shaking Up the Art Market», The Guardian, June 23, 2014, https://www.theguardian.com/artanddesign/2014/jun/23/artrank-buy-sell-liquidate-art-market-website-artists-commodities.

Peter Schjeldahl, «Selling Points: A Jeff Koons Retrospective», The New Yorker, July 7, 2014, http://www.newyorker.com/magazine/2014/07/07/selling-points.

Miriam Elia and Ezra Elia, «We Go to the Gallery», Dung Beetle Learning Guide 1a (London: Dung Beetle Ltd., 2015).

Бретт Горви, цит. по: «Jeff Koons Balloon Dog (Orange) Press Release», September 9, 2013, http://www.christies.com/presscenter/pdf/2013/release2791_koonspwc.pdf.

Henry Alford, «Oops. I Left My Millions at Home», The New York Times, November 15, 2013, http://www.nytimes.com/2013/11/17/fashion/A-view-of-the-Christies-and-Sothebys-art-auctions-from-the-outside.html?_r=0.

Gallerist, «Rendered speechless’: Brett Gorvy Has a Lot to Say about This Week’s Auctions», Observer, November 11, 2013, http://observer.com/2013/11/rendered-speechless-brett-gorvy-has-a-lot-to-say-about-this-weeks-auctions/.

Graham Bowley, «The (Auction) House Doesn’t Always Win: Christie’s and Sotheby’s Woo Big Sellers with a Cut», The New York Times, January 15, 2014, http://www.nytimes.com/2014/01/16/arts/design/christies-and-sothebys-woo-big-sellers-with-a-cut.html.

Бретт Горви, цит. по: Stacy Perman, «Pop Goes the Art Market», Fortune, March 28, 2015, http://fortune.com/2015/03/28/art-art-auctions/.

Марк Ротко, цит по: Dorothy Seiberling, «The Varied Art of Four Pioneers», LIFE, November 16, 1959, 82.

Юсси Пюлккянен, цит. по: Dan Duray, «Christie’s Contemporary Sale Nets $691.6 M., Auction Record, with Bacon, Koons in Front», Observer, November 13, 2013, http://observer.com/2013/11/christies-nets-691-6-m-at-contemporary-sale-auction-record-with-bacon-koons-in-front-2/#slide9.

Пилар Ордовас, цит. по: Eric Spitznagel, «FAQ: Why Does Francis Bacon’s Art Auction Record Matter?» Bloomberg, November 15, 2013, http://www.bloomberg.com/news/articles/2013-11-15/faq-why-does-francis-bacons-art-auction-record-matter.

Roberta Smith, «Painting’s Endgame, Rendered Graphically: A Christopher Wool Show at the Guggenheim», The New York Times, October 24, 2013, http://www.nytimes.com/2013/10/25/arts/design/a-christopher-wool-show-at-the-guggenheim.html?_r=0.

Кристоф ван де Веге, цит. по: Vernon Silver and James Tarmy, «The 350,000 Percent Rise of Christopher Wool’s Masterpiece Painting», Bloomberg, October 9, 2014, http://www.bloomberg.com/news/articles/2014-10-09/price-of-christopher-wools-apocalypse-now-soars-with-art-market.

Бретт Горви, цит. по: Christie’s, «Release: Christopher Wool’s Apocalypse Now, 1988 The Seminal Painting of Contemporary Art – An Emblem of a Generation», November 12, 2013, http://www.christies.com/about/press-center/releases/pressrelease.aspx?pressreleaseid= 6772.

Скотт Роткопф, цит. по: Carol Vogel, «Think Big. Build Big. Sell Big. Whitney Retrospective for Jeff Koons’s Monumental Ambitions», The New York Times, June 11, 2014, http://www.nytimes.com/2014/06/15/arts/design/whitney-restrospective-for-jeff-koonss-monumental-ambitions.html.

Джефф Кунс, цит. по: Ingrid Sischy, «Jeff Koons Is Back!» Vanity Fair, July 2014, http://www.vanityfair.com/culture/2014/07/jeff-koons-whitney-retropective.

Адам Линдеманн, цит. по: Andrew M. Goldstein, «Dealer Adam Lindemann on Picking Winners in a Superheated Art Market», Artspace, June 11, 2014, http://www.artspace.com/magazine/interviewsfeatures/howicollect/how-i-collect-adam-lindemann-52372.

Джефф Кунс, цит. по: Vogel, «Think Big. Build Big. Sell Big».

Джефф Кунс, цит. по: Sischy, «Jeff Koons Is Back!»

Exhibit 99.3: Letter to William F. Ruprecht, US Securities and Exchange Commission, October 2, 2013, https://www.sec.gov/Archives/edgar/data/823094/000119312513388165/d605390dex993.htm.

Дэниэл Леб, цит. по: Deepak Gopinath, «Hedge Fund Rabble-Rouser», Bloomberg Markets, October 2005, 60.

Эми Каппеллаццо, цит. по: Nate Freeman, «House Arrest: How One Topsy-Turvy Season at Sotheby’s Could Change the Auction World Forever», ArtNews, August 10, 2016, http://www.artnews.com/2016/08/10/house-arrest-how-one-topsy-turvy-season-at-sothebys-could-change-the-auction-world-forever/.

Миучча Прада, цит. по: Ella Alexander, «Prada Defends High Price Points», British Vogue, April 15, 2013, http://www.vogue.co.uk/article/miuccia-prada-defends-prada-prices-explains-ecommerce-plans.

Бретт Горви, цит. по: Colin Gleadell, «Art Sales: The $2 Billion Art Bonanza», The Telegraph, May 20, 2014, http://www.telegraph.co.uk/luxury/art/34082/art-sales-the-2-billion-art-bonanza.html.

Lewis Carroll, «Through the Looking-Glass», Millennium Fulcrum Edition 1.7 ed.(Champaign, IL: Project Gutenberg, 1991), http://www.gutenberg.org/files/12/12-h/12-h.htm./Кэрролл Л. Алиса в Зазеркалье. Перевод Н. Демуровой.

Judith H. Dobrzynski, «How Auction Houses Orchestrate Sales for Maximum Drama», The New York Times, October 28, 2015, http://www.nytimes.com/2015/11/01/arts/design/how-auction-houses-orchestrate-sales-for-maximum-drama.html.

Синь Ли, цит. по: Derek Blasberg, «How Xin Li Went from the Runway to the Center of Nine-Figure Art Auctions», Vanity Fair, November 2015, http://www.vanityfair.com/style/2015/11/xin-li-model-art-auctions.

Eileen Kinsella, «Meet Xin Li, Christie’s Secret Weapon for China Sales», artnet News, November 8, 2014, https://news.artnet.com/market/meet-xin-li-christies-secret-weapon-for-china-sales-160712.

Rebecca Mead, «The Daredevil of the Auction World», The New Yorker, July 4, 2016, http://www.newyorker.com/magazine/2016/07/04/loic-gouzer-the-daredevil-at-christies.